Kukuru Misakino, an 18-year-old high school girl working in an aquarium, meets Fuuka Miyazawa, a former idol who lost her place in Tokyo and escaped. Fuuka will spend her days in the aquarium with her own thoughts in mind. However, the crisis of closing is approaching for the aquarium, as the girls explore their dreams and reality, loneliness and friends, bonds and conflicts.

In an unknown time when everything is colorless, the world pale and desolate, everybody is born with similarly pale white skin. There is absolutely no sign of color in this world at all. However, one boy is born with yellowish skin. Everybody treats him like some sort of monster, and the boy lives in isolation, in the woods with his mother. The year he turns 16, the boy's depressed mother, unable to bear the seclusion, commits suicide. The boy blames himself for her death and dreams of becoming a normal pale-skinned person.

40-year-old Jimmy is growing up, or at least he's getting older. While mooching the upper bunk of his ten-year-old nephew's bed, he enjoys the never-ending generosity of his sister Aiko, and dodges the wrath of his impatient brother-in-law Tak. He thinks that if only he could get married all his problems would be solved. But when he falls head over heels for Tak's niece things only go from bad to worse.

Rice on White is a crass yet heartfelt romantic comedy with an un-PC take on how Asian-American men are perceived in today's dating scene. In the film, a group of disillusioned Asian guys try to master the art of seduction with results that are often hilarious, but sometimes unexpectedly sweet. Think of it as 'American Pie' meets 'Swingers' with an Asian twist...

Rice on White is a crass yet heartfelt romantic comedy with an un-PC take on how Asian-American men are perceived in today's dating scene. In the film, a group of disillusioned Asian guys try to master the art of seduction with results that are often hilarious, but sometimes unexpectedly sweet. Think of it as 'American Pie' meets 'Swingers' with an Asian twist...

From 2019 to 2022, director Sarah Vos followed Rein Wolfs, the new director of the Stedelijk in Amsterdam, and his team as they attempt to resolve the lack of gender diversity of the museum, in which 90% of the works of art of the vast collection had been made by white men. To correct this imbalance, the museum allocated 50% of its budget to buy works by non-Western artists and diversified its hiring practices. The film documents meetings in which issues such as racial, ethnic and gender representation are addressed, as well as the adoption of appropriate language: should “sex worker” replace “prostitute” in certain titles? They conduct research in the archives of art by women artists, often not even catalogued, and work to rearrange the collection along a new thematic path to contextualize the cultural, historical and religious circumstances in which the works ware created. White Balls on Walls shows the successes and failures of this difficult process. We thank Pordenone Docs Fest for their collaboration. 　　源自：https://www.schermodellarte.org/en/film/white-balls-on-walls/

在遥远的未来，战争摧毁了整个地球，只留下一片贫瘠的荒地，水源被贪婪的国王控制着。在寻找一个已经失落的湖泊的过程中，警长拉奥向恶魔之王寻求帮助……并遇到了国王的儿子贝尔则布和他的助手小偷。这个不太可能的三人组一起穿越沙漠，面对龙、强盗，以及最致命的敌人……国王的军队！

A young man inherits the ability to see visions beyond the grave.

A human story unfolds when detectives aggravated by a major bust gone wrong are forced to deal with a tormented man thrown into the cage after urinating on the Mayor's limo. The explosive combination of character and situation balances intense drama with laugh out loud comedy.

A human story unfolds when detectives aggravated by a major bust gone wrong are forced to deal with a tormented man thrown into the cage after urinating on the Mayor's limo. The explosive combination of character and situation balances intense drama with laugh out loud comedy.